What is the place of history in our society? Who was Ivan Illich and how might he be a helpful voice, even in his passing? David Cayley shares about his new book, Ivan Illich: An Intellectual Journey. It's not really a biography, and as Illich himself would say, 'you can't capture me!' We talk about open source, big tech, and enclosure, history which gives you roots, how tradition and change are intertwined, the many myths/idols of society, on good vs. value, aestheticism, and much more. (Recorded in January 2022) (49 min)
Conversations may be edited for clarity. (edit)
David: Well, I'm a little bit familiar with it. It's through a book called Two Bits by a guy called Kelty. He puts forward the idea of a recursive public, which I took to and found really interesting.
David: I'm in the middle of a book on the CBC, which is part memoir, part kind of attempt to understand. I see the CBC in both radio and television as being at a kind of cul-de-sac right. Not really knowing what it should be and flailing.
David: So it's my attempt to suggest what the new world might look like and what a public broadcaster might do in it, given that it's not really broadcasting anymore in the old sense, and that it has no idea what the public means anymore in the old sense either.
David: If you start from Innis and go through McLuhan and on into Baudrillard and Arendt and all the people who I have read and studied. Habermas, Charles Taylor, and so on. So I'm just preparing now this essay called What is a Public?
Henry: There's no right way or anything, but I think that there's this history and maybe this is in the book of what they called the free software movement. There's Richard Stallman and like, people like that. And they have this phrase like free as in beer, not free as in money.
Henry: There's like some story about a printer and how it didn't work or something. And he wasn't able to change the code to fix it himself because the code was not open, right. It was like proprietary, by the company that made the printer. And so he was like, my desire is that anyone should be able to like see the code so that they could change it so they can fix things themselves rather than depend on this company to fix it for him.
Henry: I think from that he created the beginning of the free software movement, where it was like, oh, all codes should be like this where nothing should be closed. And they had like these legal licenses. There's like copyright, and now there's also this thing called copyleft.
Henry: The license is kind of essentially saying, if you use my code and it's a copyleft license, if you use it, your code also has to be copyleft. And so it basically forces anyone that uses your code to also be open. Companies didn't like that obviously because it would mean that any code they write on top of that would have to be open. And they're afraid everyone's gonna copy it and they can't make money.
Henry: And so that led to the open source movement, which was more like, oh, no one's using our free software. So we rebranded to open source and say that it's good for companies, because we won't force you to make your code open. And so they have these new licenses, which are more permissive.
Henry: Companies embraced that because they're like, Hey, I can make profit. I don't have to pay developers to code their own thing. I can just use the thing someone else made, right. That saves like time and money. A lot of that thinking led to the big tech companies of our time. They can build their infrastructure and software on top of all these projects that people have done.
Henry: You could also say that they themselves contribute a lot of open source. So it's not like they're only taking away. But right now we're in a situation where open source was only for a few people.
Henry: And now it's democratized in a way. There's a website called GitHub, this is actually the logo that I'm wearing. It essentially hosts open source code for you like a Dropbox or Google Drive. I usually say it's like Wikipedia for code, right? Anyone can contribute to an article, to a project. And then there's admins; they approve things.
Henry: Open source before was like through emails and it's very technical. And now, because of things like GitHub, it's a lot more accessible to people, you just have to make an account. And so that leads to millions of people contributing to open source. Any of us could have just made a piece of code, like one line of code or one file uploaded to this thing and just say, this is open source.
Henry: But the thing that people are concerned about now is this idea of sustainability. We're giving away our time, our efforts, for free, which I think is great. But what happens is like lots of people start using it. And that in itself is not bad, right? If people using it didn't lead to you spending more time or anything, then what's a big deal, right. You're giving away for free.
Henry: But what happens is people start asking for help. They're complaining, they'll say you gotta fix this bug for me, stuff like that. And then you feel a little bit of obligation to help, I don't know, thousands of people, that you don't even know, that could be all around the world at any point in time, right.
Henry: And it's like, you didn't sign up for that because you want the freedom to just like post, code that you wrote, and hope someone will use it. At the beginning, it's fun. A few people ask for like fixes or whatever you, you do that.
Henry: But once it gets to the point where there's like hundreds of people.. And the big companies, they're all using it too. And then their employees are telling you, you gotta fix this bug because I have this problem at work. And it's like, well, you're not getting paid to do that.
Henry: And at this point, it might not even be fun anymore, right? So you don't wanna charge for it. So then the only thing you do is like ask for donations or you do consulting all these different things.
Henry: But this is the kind of the problem where it's like, a lot of our software is being built on these lego blocks, I guess you could call them. And then this program is built on this program and it's like all the way down.
Henry: What happens if there's a bug in one of the programs at the bottom layer, and it affects everyone at the top? And like maybe there's only one person working on it. Maybe they retire. Maybe they have kids. Maybe they're just busy all this stuff and it has this cascade of effects.
Henry: In terms of a book, you already read Two Bits. My friend, she wrote a book called Working in Public. Her name's Nadia. She used to work at GitHub and also like an independent researcher. The subtitle is the making and maintenance of open source software.
Henry: It's a little bit of history. She did a lot of interviews. This is similar to, I think what I like about Charles Taylor too. It's about phenomenology, what does like to be in a secular age? does it feel like to be an open source person rather than like.. She was reading all the stuff about open source, but it's all academic, it's all thinking about open source as they thought of it in like 1990 or whatever. I can keep going, but that's like..
David: Okay. That is really interesting. Okay. So if I translate into familiar terms, all the big tech companies are built on this basis, to which they're contributors, as you've said, but they're affecting a kind of enclosure of the commons, right. And it's a kind of new commons.
David: And, I mean, where it fits with public broadcasting is obviously public broadcasting is, free and supposedly free from commercial constraint. Although in fact, in Canada, it's always been hammed in by commercial broadcasters who set the terms on which the business is conducted. So it's never really been that in fact. But still there's an analogy here, right.
David: But there you have state support. It's different in that way, but obviously it's highly relevant to what I'm trying to understand. So have you written about this, things you could send me? I would really like to learn about this.
Henry: Definitely. I think it's really relevant to just the idea of giving away for free and especially in the digital world. You probably heard of the word content, right? When they say content creator, maybe. So all the social media, they're technically also giving away something for free. They're giving away their knowledge, and they have similar issues, right?
Henry: Doing things you want versus what the audience wants from you. Maybe you got popular for one type of music and suddenly you want to do something else, but then you're like, oh, I won't make any more money because my audience wants the old thing.
Henry: But the main difference I think with software, which makes it a lot harder, is actually simply the idea of dependencies. If someone makes a YouTube video and they're really famous and they stop making videos, I mean, it would be really sad. But no, one's like literally depending on that person, right, for their livelihood.
Henry: But if you work on a project, software that deals with security, and there's like one person working on or three people working on it and they retire and nobody works on it anymore. Then it's like a big deal if there's a bug, right. Which has happened in the past.
Henry: And then there's all this blame that's passed around where it's like, is it the responsibility of that person? Even if it's like their volunteer effort or is it the company's fault because they're the ones that rely on it, but they're not paying for it.
Henry: Or they're not understanding what we call a dependency tree. One dependency could have 10 dependencies and those 10 dependencies could have their own dependencies. It's kind of like inevitable that a bug will happen, right? And when that happens, how do we deal with it? If you just think about Illich, he would have a lot to say about dependencies in general, right?
David: One is that he wasn't frightened of technology and he wasn't frightened of mathematics. He had been a student of crystalography as a young man. So immediately, he understood a lot more than most of the people around him.
David: But I think on the other hand, he was overwhelmed, beginning in the 1980s, by the recognition that a completely new era, a completely new mentality, a problematic word but we can use it for now, was dawning.
David: He says this in various interviews with me that the assumptions underlying his institutional critiques of the 1970s were in a sense that there was a stable public that he was addressing which stood apart from these engineered tools as he called them, and could conceivably change them, right.
David: So when he grasped the recursive character of the new world, I think he was in some difficulty.. I mean, he said many, many interesting and stimulating things in his last 20 years, but I think his posture was fundamentally one of withdrawal and renunciation.
David: I don't know how much help he can really give us except some sort of general guidelines, right. I'm not sure how much he knew about living in that world or whether he sometimes saw it as the end of everything that he understood.
David: I mean, to take one example of a completely apocalyptic statement, he presumes that the greatest thing one could know is the Incarnation. That what people call God has become available to us through one another, to put it very simply. But that implies a certain kind of embodiment, right?
David: He says explicitly in the interviews with me that are in The Rivers North of the Future, that he thinks a lot of the people he has recently met and knows, don't have that kind of a body anymore.
David: So I don't know how is a Christian gonna face this fact that people are increasingly deaf to any divine entreaty? That's a strange way of saying it, but it's what comes to mind. So I think he's standing there amazed, wondering what does this mean? Right.
David: He knows that he has a community of others who are similarly bemused and similarly free of illusion, just because of this character of being between ages, right. They've lost old illusions and haven't yet acquired the new illusions.
David: And therefore he appreciates very much this quality in the younger people who surrounded him in his old age, maybe including me. But I don't think he knows quite how to face the new age, the thing that you're facing and I gather trying to bring his thought to bear on it.
Henry: I'm immersed in not just the tech industry, but like a certain way of thinking, right. It's like that joke that, and maybe it's real, if you're like tech person, you think all of our solutions are like, oh, there's an app for that. Or I'll make an app for that.
David: He says in reflecting on Gender _and the interview with me in _Ivan Illich in Conversation, that he thinks that the pre-modern world had a fundamentally different concept of duality than developed in the modern world. It conceived duality as ontological difference, complementarity, things actually have different kinds facing each other, right.
David: You only pass over from time to eternity, from here to there, even, because different measures, different times, different conventions may apply here and there. You only pass over by an act of imagination. You're never in a fundamentally uniform space. You're never in a world of one kind.
David: And that fundamental duality I understand Illich to say is finally a condition for thinking. That is, you can't think unless you can stand on your feet somewhere, where you think. Which means you must have a ground, right. And a ground is always established in opposition to another ground. Must always be two.
Henry: There are clues or something in there that is appealing for some reason. That kind of sounds like why he was so into history, right. 12th century. It's like knowing a certain perspective helps you see your own perspective, right. Because you have something to contrast it with.
David: And indeed to go a step further, as I said before, that's the only way you can understand. That all history is potentially present to us now as a kind of fluid resource may tend to make us lose the difference of the past. And then we lose that standpoint in history, right?
David: So the recovery of history, as something other than prologue, something other than resource, something that we can summon through our amazing techniques, is indispensable for him to understanding. Unless you can actually share the mind of Hugh of Saint Victor, you can't actually understand the present mind, as something limited, as something occurring within a horizon.
David: Yeah. You remain within your taken for granted horizon, as the certainties, as the real horizon, the actual horizon, as opposed to all of the illusory horizons, people used to think they lived with it. It's a deep kind of bracketing.
David: And he even in a wonderful passage, calls it necromancy _at one point, the summoning of the dead, right. And portrays himself as a _magus, as a teacher of history, which is kind of a beautiful passage. It's also in Ivan Illich in Conversation, a crucial example of that kind of deep or ontological difference.
David: Well, that's how I interpret it, absolutely. Obviously, an image as mysterious ..You know, I mean, where, where is north of the future, right? It fundamentally mixes those different domains. We were talking about ontological difference.
David: It lies in recognizing that the past changes as we change and that we find new ways of thinking in the past. But also, if Illich is right, and that his fundamental thought throughout his career, but becoming explicit only towards the end, is that modernity itself, our world, is based on a misapprehension, a mistaking of the fundamental Christian revelation.
David: Then where will we correct the error? You can't correct the error in the present, unless we can find it in the past, unless we can recover the inspiration, the road not taken, the future we didn't have because we had this future.
David: That's all found in the past, but obviously you can immediately get that idea wrong by thinking.. You know, I mean, every thinker that I cherish has at some point been told that he's the finest mind of the 12th century or something, right. Illich was told that Carl Jung was told that Charles Taylor was told that...
David: The fundamental critics of modernity always said to want to go back to the past, right. They would've been happier in the middle ages. So there's obviously something to understand about how to live in history while living in the present that we really don't have as a possibility.
Henry: I guess that's the balance. If one does like a surface level reading of Illich or any of the critics of modernity, you might think that they do want to go to the past, and obviously no one will accept that. These people are traditionalists or they just want to like make everything as it was when there was a lot of other issues.
David: Right from the beginning in the writings he did in the early fifties, under a pseudonym when he was an assistant parish preach priest in Washington Heights. And he wrote under the name of Peter Cannon for a little journal called Integrity. But he insisted from the very beginning, that tradition and innovation were an inseparable pair.
David: So that gets us back to this same idea of, of facing opposing domains, right? That these opposites are a married couple. They can't live without each other for a minute without going wrong. And that was what he always insisted.
David: But that mandated nothing like what looked like traditional necessarily, but that it made him utterly free as long as he didn't lose that root in tradition. You know, that was always his view, I think, that you just cannot separate.
David: And that was a view that couldn't be understood, I think, right. So the church eventually rejected him and put him under inquisition as a dangerous radical of some kind, right. Subversive opinions and so on, right.
David: All the stuff that was included in the questionnaire he was given when he was summoned to Rome in 1968, all made him out to be some kind of subversive figure who fundamentally wanted to undermine the Church.
David: And his claim had always been that the only way the Church will keep its tradition is by being utterly willing to change on.. I mean, the key point for him was declericalization.. The bureaucratization the Church was not a key part of the tradition.
David: The powerless church, he had a whole understanding of that, that developed in the sixties that the church was increasingly from the time of the late Roman empire onward laden with administrative and social control functions. So it was the primary agent of social control in many places, bishops became magistrates after Constantine's time and so on.
David: What he felt positively as the dawning of a new age in the 1960s and even before was the potential freeing of the church from all instrumental purposes. So that it became.. became powerless in the sense of, being purely the Gospel, purely the Surprise, purely the pearl in the net as he says, purely the divine bud that will flower in eternity, purely the good news.
David: Could be added to anything, right, without taking it over, without having to administer it. It was a vision of the Gospel as what it originally was in all those images that Jesus uses: of salt, of leaven, of The Pearl in the Field, right.
David: All those images of discovering a different way of seeing the world rather than a different way of controlling it or running it. So yeah, everything turns on this fundamental misunderstanding of whether the kingdom can be administered.
Henry: Right. I'm reading A Secular Age with some people right now. Not the easiest book. Taylor's notion of secularization and how a lot of it has to do with reform and like wanting everyone to be good, whether it's the people in the church or people outside the church. I guess it's the same thing as Illich where it's like..
David: I think it is. And I mean, that was, that was the, one of the greatest gifts I ever received, and of a very practical benefit as well as I'll relate. But when I broadcast those shows that were published as The Rivers North of the Future, I was an Idea _series called _The Corruption of Christianity.
David: And while they were being broadcast, I got a call from Charles Taylor who I had known because I produced his Massey Lectures, which is our, in Canada, big prestigious lecture series, 10 years before.
David: And he said, I mean, I find it remarkable how similar.. Because he had thought of Illich in a different way until he heard this, how close it was to what he had done in his Gifford Lectures and would eventually publish in full in A Secular Age. So he immediately recognized how closely in parallel they were working.
David: And that then became hugely important to me when he agreed to contribute a preface to The Rivers North of the Future, because Illich was kind of a forgotten man at that point. I'll often cite it, but because it just sort of tells you how people thought when he died. The New York Times headline obituary was priest who appealed to baby boomers in the seventies, right. So he was a little bit forgotten and he hadn't tried to do much about it probably.
David: And Charles Taylor was at the summit of his worldwide.. I hate to say celebrity, but he was certainly a respected and listened to philosopher throughout much of the English speaking world, at least, and probably in some other worlds as well.
David: So yes, the idea of the Reform master narrative, which you referred to, I mean, hugely fleshes out what Ivan only hinted that, right. I don't think he had any idea at the time. He says in The Rivers North of the Future, that this is his research hypothesis from which he won't be deflected, he says, but he would need an army of graduates.
David: And he doesn't say that, something like that to, to work all this out. And I don't think he really knew at the time how many others were thinking along those tracks or actually working it out. So a great deal of what's in A Secular Age, I think works out in rich detail Illich's fundamental insight. Yeah.
Henry: You know, in his preface to your book, he was like people that like Christianity think it's like the epitome of modernity and then people that don't like Christianity think it's the antithesis right.
Henry: But then Illich thinks it's the corruption of Christianity. The way Illich uses a lot of his words are always like, I guess the archaic old ways of thinking about a word. Like, if you say the word corruption in this time, people think it's about like bad people, right, doing bad things. Yeah. Rather than just that it's fundamentally not what it is and it could be from good people, right.
Henry: That seems really hard to understand. For me too. I remember when I was reading, the speech that he gave which people call To Hell With Good Intentions. And see, it's funny because that reminds me of our conversation earlier about open source. It's sort of like why wouldn't I want to help all these people that are using my software for free.
Henry: And then you feel this sort of, I don't know if you're the savior or you feel guilt and like all these things. And it's just like a lot of emotions around, like, why do I feel like I have to do this instead of being able to like step away or take a break. You know, not work on the weekend.
David: I can remember when I was working on the Illich book, coming across in Wittgenstein, this is a paraphrase, progress is not a thought of our civilization, it's the form of our civilization. So it's not a content that we think about. It's the way that we think.
David: And progress in that sense stands for a monistic way of thinking or the thought of the unlimited. Nothing is opposing, There is no horizon. Nothing limits. It just goes on, right? So if the Internet is good and let's have more Internet, right.
David: The thought of the unlimited is so deeply in us that I don't know how else you can ex.. I mean, I was a young man when Limits to Growth was published right by the Club of Rome, 1970 I'm guessing it was.
David: That eventually you would waste the entire substance of the earth, sooner or later. The, question of climate change in that sense is almost incidental to a larger thing. And people can get fixated on climate change in a way that almost hides the rest from them.
David: But deeper in your thinking is the unlimited, right? So you really have no way out, how else could we have justice, except through growth, right? It's very difficult to escape that thought. And that's where it seems to me the dual or complementarity or opposing domain, that other way of thinking is indispensable. It's the only foundation on which I can see rehabilitation, recovery taking place.
David: Well, I think that's a huge source for this, I, think Niels Bohr's idea of complementarity, which Illich just brushes against it a little bit in Gender. And he says he makes some very pregnant remarks, in a footnote on complementary that this was the road not taken in social science. But he doesn't really develop that thought. And so those thoughts are developing in the quantum world, right.
David: I just finished a book by a guy called Frank Wilsack, who's a Nobel Laureate in physics, a book called A Beautiful Question, which is a kind of a popular account of the history of natural science from the perspective of beauty. He emphasizes symmetry, which is another form of complementarity as being absolutely fundamental.
Henry: Talking about limits kind of makes me think.. Our imaginations can't even come up with an answer that is not more of something. Only through escalation, right. With war, we have to have more bombs or we need more weapons. Or maybe with code, we need more code. We just keep adding on more dependencies. We can't help ourselves.
David: It's certainly true that in Illich, the thought of renunciation is.. Which is probably a pretty problematic word for a lot of people because it, it's pretty hard to get the associations of the hair shirt out of it, right. And to therefore invoke, or reinvoke some kind of repression, right.
David: To think the thought of renunciation, you have to go back to what he calls the criminalization of sin in the middle ages. That is the loss of sin as a glorious idea of, our capacity to keep together through a continuous practice of forgiveness.
David: It's what a theologian called James Alison calls The Joy of Being Wrong, right? So sin as a glorious idea in the first Christian millennium, in Illich's understanding, becomes a repressive idea in the second Christian millennium through what he calls criminalization, which is actually the re-conception of the Church as a legal entity, enforcing legal codes and the priest actually as a judge, confession and so on.
David: The idea of sin is arguably an idea that has to be recovered in its joyous aspect for us to understand how renunciation could similarly be in the service of celebration rather than in the service of repression. But in any case, it's a crucial thought. The thought of slowing down, going backwards, of establishing limits.
David: If you turn on the radio and there's a politician on there, he'll certainly be going forward and he'll be thinking about what to do going forward. So you're constantly reiterating this out of going forward and therefore putting going backward in the shade.
David: Yes, those are the literal meanings of the Greek words, as I understand it. Yeah, no, that's one of his most beautiful essays The Rise of Epimethean Man. Absolutely, Epimetheus is the after thinker and Prometheus is the before thinker. And we have an excess of forethought.
David: If you look at what the pandemic has done, all these phrases that get into the people's vocabulary, the abundance of caution, the emphasis on modeling, it's almost as if people are living in the future and being punished for not living in the future, right?
David: So the end of that game is a kind of pseudo eternity, right? Where you have control of the future. You have control of the past. You're as immune as possible from surprise. And Illich's ordinary language for the messianic is always surprise, right?
Henry: So it seems like value, has no opposite, right? So that way you can continue to increase it, whether it's money or just utility. And then the good is like that golden mean idea, right. Where it's like two two extremes.
David: I think that's a beautifully said, because I mean, Ivan explores this in one of his essays. And he says, you, can say disvalue, but you're still on a sliding scale, when values turn negative, but you're still within a monochrome or a monotone reality.
David: I mean, in journalism, a certain kind of mediocrity. It was always preached, which was if the left and the right are both against us, we must be doing it right. And that's just splitting the difference, right. That's just that's mediocrity, right?
David: Actually sustaining the middle.. Walking the watershed as Ivan says, holding the opposites intention as Carl Jung says. That's the very opposite of mediocrity, right. That's the Razor's edge. That that's the most difficult place to keep your balance. So it's very important to distinguish that middle way from any idea of mediocrity or, just a kind of compromise.
Henry: That makes me think of the whole, we want tools to work with us, not for us. The industrial tool is like you're depending on it entirely, but then you're also like, I don't want to live in a world where I have to do everything myself. And that's obviously not realistic in this age either.
Henry: I feel like I talk to friends and they'll be like, well you're not expecting me you know, make my own house or walk everywhere, right. I guess everyone has to find out what that balance is for themselves. I'm not trying to to impose anything on anyone either because that would defeat the purpose.
David: Yeah, and he says that, right? In Tools for Conviviality, the human equilibrium he says is open. You have to have the idea of the point of balance, but you can't specify the point of balance in this situation until you know this situation. Yeah, exactly.
Henry: That sounds very much like virtue ethics in general, right? It's about someone's character and you can't evaluate based on one event where like this was bad or good versus deontology and utility it's like, either either a rule or obviously this thing is really good.
Henry: I kind of wanted to get your thoughts on, like, what do you think like this kind of aestheticism would even look like in today's day? Because I feel like if you mentioned like monks or people going off to the forest. I don't think everyone's gonna go to a monastery or leave the world. I also think of that saying for Christians, we're supposed to be in the world, but not of the world something, right? Yeah.
David: Well, I mean, Ivan, he didn't write much about this. He wanted to give a series of lectures at the McCormick Theological seminary in Chicago, where he had lectured in the past on this new aestheticism, _askesis _as he called it. So we have only the outline that he made, right.
David: And he doesn't tell you a lot about what it would be, this joyful austerity as he calls it in, in tools for conviviality, but he is clear that it will be utterly different, right. That it will be utterly new.
David: And this goes back to our old.. What we said about the pair of tradition and innovation. And clearly it will be celebratory cause celebration is always primary for him. I mean, Celebration of Awareness is his first book and celebration is always the keynote, being here now and celebrating with one another.
David: I mean, I, I have not made myself subject to a smartphone. I'm also old and retired and have and luxury. And I know lots of younger people who do not have that luxury and could not have made a living without.
David: So then I think it becomes a question of.. Is there some way to discipline your use of it, right. I find it hard to see how it can be a convivial tool. If every single person is a broadcasting station, it defeats my imagination to think about the kind of ethics that could keep people grounded, in that situation.
David: So I'm probably the wrong person to this, because I'm an old man and I have been able to avail myself of what I can clearly see are luxuries when I look at the young and see how they're trying to make their way. I think there have to be drastic limits, I think they have to be relevant.
David: The priority of what is present has to be the crucial consideration, right? That severely limits modeling, which is I think one thing that would have to be renounced. As I think risk consciousness generally.
David: Well, that's a good example to take. Cause Ivan says that risk awareness is the most powerful, the most something religiously celebrated ideology today. That's quite a statement, right. But I think he's right. And what is at play for him is people's inability to distinguish themselves, this concrete me embodiment from my statistical doppelganger, who has certain risks.
David: But he became obsessed with this when he found from the research of a young friend, Silja Samerski, that most women in Germany who are required to have genetic counseling during pregnancy, they're not required to do anything, but they must have the counseling, took statements of risk as statements about them.
David: It's just not a surprising finding. I think most people confused themselves with their statistical doppelganger. To get those two separated, that's a practical example of the kind of a askesis that I think is ncessary right? Where you could draw the limits would occur after once you learn to think accurately, right?
David: So, I mean, that's my faith anyway, that accurate thinking, that's not an expression I'd wanna be tied to, but clear thinking.. That's better. Clear thinking is possible, which is definitely a form of faith. But that that would be prior to establishing limits, right. To actually creating what Ivan calls limits to tools.
Henry: It makes me think of your genes and how people will say like, oh, my family has a history of XYZ disease, diabetes or heart disease, whatever. I mean, I don't have to like, literally believe that you thinking that will lead to that happening more.
Henry: But I think most people would agree if you keep thinking that all the time, it preoccupies your thoughts. Something about you will change. And it doesn't have to be like a new age, mind is making my body turn into like this. But like, I'm sure that sort of thinking..
David: I mean, and very well documented, right? So it's not fanciful to think by thinking of myself in a certain way, I, to a degree become that. I mean, Silja Samerski, a friend of mine, who so influenced Ivan by her study of how women were reacting to genetic counseling in Germany, went on to study what she called the pop gene, what a well defined scientific construct in becomes in popular consciousness, right? My genes, right. As some sort of little things that are inside me. That bleeding from science into every day talk.. Is another, it would be another crucial example of the askesis that's necessary, right.
David: Ivan says this in Tools For Conviviality, right? The conditions to recovery are to overcome the myth about science, to recover ordinary language, and to recover legal procedures as a way of defending vernacular communities against various impositions. Those are his three conditions.
David: So it's not overcoming science. It's figuring out what science is and what science isn't. And what ordinary talk is and what it isn't, and making all those distinctions. Those become harder, not easier to make.
David: The myth is that the man in the white coat incarnates science. Doing what scientists say, rather than following science in all its limited, questionable assumptions. That it's just a kind of a staple that some people have and others don't. A flattening of all distinctions between types of knowledge and the kind of validity each of those types of knowledge has. There is only one type, right?
David: When I opened my computer this morning, I was invited to read a article, why science tells you to get out of that dead end relationship. The confusion of domains is right there in front of your eyes, right? What could science tell you about that, right.
David: How someone's gonna live with their cell phone is something I can't say, but this, pardon the fancy word, epistemological cases is something I can imagine. I can begin to think about how more careful thinking might help.
Henry: Okay. Illich seems like in the past or even seems like anti-tech. I think I recall, I don't know where I read it, but he was obviously riding against against like cars and stuff like that, but he still used planes.
Henry: And I think he was saying the reason why I like them is just so I can see you, right, whoever the person was. He's willing to say, I have a good reason for why I'm willing to use the technology, which is to get closer to someone person.
David: So he says that, right. I make my rules so I can break my rules. It's not that he thinks you can make a rule and that's all. But the breaking of the rule only makes sense if there is also the rule.